The museum is one of the largest museums in the UK. It is the world’s leading art and design museum, with a permanent collection of more than 2.3 million items that span 5,000 years of human creativity. The museum has many national collections in the UK and has some of the best resources for researching architecture, furniture, fashion, textiles, textiles, photography, sculpture, painting, jewellery, glass, ceramics, book art, Asian art, etc. When I walked into the museum, I was shocked because the museum is very large and there are many exhibits.
As soon as I entered the hall, I was attracted to an exhibit because it looked very special and very tall. It looks like a pillar from a distance, but when you look closer, you will find that there are some things like villains on them, but these villains are incomplete, people feel more like a bone, and it is easy to be afraid. But I didn’t understand it until I read the museum’s introduction sign. These patterns echo the sculptures of the Renaissance. I think the best thing about this exhibit is that the writer uses the technique of sculpture to express the state of struggle and strength, which is very touching.
Then I went to check the author of the sculpture, Rachel Kneebone. She is a very amazing British artist. Her sculptures operate in a near-subliminal space, oscillating and blurring the boundaries between the conscious and the subconscious, the real and the imagined, everything and nothing. Working in porcelain, the material properties of her work further heighten and convey an awareness of Opposing states, appearing to be not only heavy, solid and strong but also light, fragmentary and soft. Especially this work uses its own huge size to spread meaning while using its own complex form to express a sense of formlessness. As Darian Leader puts it:“ The 399-day force field is built on this complex and contradictory directionality, and on the tension between form and fracture. Spherical tendons, torso and limbs deform the sphere, rupture and collapse as if constantly destroying the complete, complete shape. ”This is the source of disturbing fear.
I like this exhibit very much, because I think it will combine the Renaissance and contemporary art, let it burst into a more powerful force, it is frightening and I look forward to it, and I can find a lot of inspiration in this work And accumulate, and use the inspiration of this exhibit in subsequent projects.
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